Author: admin

Susane Seitinger’s research

  • The researcher’s main page
  • LightBridge, May 2011
    • (in Video(youtube), around 4min, she describes the system and mentioned opensource SW to support media facade programming)
  • Liberated pixels :alternative narratives for lighting future cities, 2010
    • PhD Dissertation
    • Light Bodies
      • Susane Seitingerの博士での研究のプロジェクト３つのうちの一つが、ランタン（日本でいえば、夜間の外出時にもちあるいた手持ち提灯）の歴史をふまえた個人用の、センサーによって与えられた刺激に反応する光のオブジェクトでした。クラシックのコンサートやジャズバーで複数を置いて場所の演出に利用した例が論文で示されています。Seitingerの研究のポイントの一つが、既存のインフラから光を自由にするための技術なのですが、ガス灯という形で社会インフラになる前の、個人が小型のランタンを持ち、または玄関前に自分で設置し、管理していた光の集合しかなかった時代の光のありかた
  • Urban Pixels
    • Here (MIT Labcast)she explains basic concept of ‘Urban Pixels’ together with her adviser William Michael
  • Light Body
    • in Shigeru Kobayashi’s ‘Prototyping Lab’, pp20
      • we asked how we might engage people in more actively shaping the lightscapes which surround them.

Sentient City, Mark Shepard(ed), 2011

Definition of Sentient City by Mark Shepard

“dataclouds of 21st century urban space” that shape the experience of those in it.

Book

  • Introduction: Mark Shepard
  • Toward the sentient city: Mark Shepard
  • Systems, Objectified: Hadas Steiner
  • Case Studies
    • New Interaction Partners for environmental governance:
      • Amphibious Architecture:
        • David Benjamin and Soo-in Yang (The Living) and Natalie Jaremijenko (xDesign Environmental Health Clinic)
    • Structuring Participation for an Energy Commons
      • Natural Fuse:
        • Usman Haque, Nitipak ‘Dot’ Samsen, Ai Hasegawa (Haque Design+Research)
    • Urban Digestive Systems
      • Trash Track:
        • MIT SENSEable City Lab
    • An International Failure for the Near Future
      • Too Smart City:
        • David Jimison and JooYoun Paek
    • Situating Knowledge Work in Contemporary Public Spaces
      • Breakout!: Escape from the Office:
        • Anthony Townsend, Antonina Simeti, Dana Spiegal, Laura Forlano, and Tony Bacigalupo
  • Essays
    • The Action is the Form: Keller Eastering
    • Interaction Anxieties: Omar Kahn
    • New Spatial Intelligence, or the Tree allowed to grow freely, but to man’s pattern: Dan Hill
    • Boxes Towards Bananas: Dispersal, Intelligence and Animal Structures: Matthew Fuller
    • Unsettling Topographic Representation: Saskia Sassen
    • The Urban Culture of Sentient Cities: From an Internet of Things to a Public Sphere of Things: Martijn de Waal
      • http://www.smartplanet.com/blog/smart-takes/in-a-sentient-city-what-is-public-or-private/16343
    • Space, Finance, and New Technologies: Kazys Varnelis
    • Your Mobility for Sale: Trebor Scholz
    • Comforts, Crisis, and the Rise of DIY Urbanism: Mimi Zeiger
    • Toward the Sentient City: Expecting the Extensible and Transmissible City: Anne Galloway
    • Postscript: Notes on Survival in the Sentient City: Mark Shepard

Exhibition

 

Blog article

http://www.cityofsound.com/blog/2009/10/toward-the-sentient-city.html

Artangel,London

[from their website]

An urban fox let loose inside a gallery and observed by grainy CCTV; a pale, life-sized concrete cast of a terraced house and the impassioned, national debate it inflames; a bright blue crystalline grotto, hidden behind the doors of a council flat; the re-enactment of a riot; a requiem for an abandoned village…

Based in London but working across Britain and beyond, Artangel commissions and produces exceptional projects by outstanding contemporary artists. Over the past two decades, the projects have materialised in a range of different sites and situations and in countless forms of media.

Each new project evolves from a singular commissioning process, born from an open-ended conversation with an artist offered the opportunity to imagine something extraordinary. Artangel’s work is powered by the belief that artists are capable of creating visionary works which impact upon the way we view our world, our times and ourselves in unusual and enduring ways.

Many Artangel projects are given shape by a particular place and time. They can involve journeys to unfamiliar locations, from underground hangars to abandoned libraries. Or sometimes they can offer unfamiliar experiences in more familiar environments – a terraced house, a department store or daytime television.

This open-ended approach to the artistic process has seen Artangel generate some of the most talked-about, contentious and acclaimed art of recent times, including work by Francis Alÿs, Matthew Barney, Jeremy Deller, Douglas Gordon, Roni Horn, Steve McQueen, Michael Landy, Brian Eno, Gregor Schneider, Robert Wilson and Rachel Whiteread.

Please click here to explore some of the work we have produced in the last twenty years.

Interaction/Relation　Light and person correspondence

Christen Boltanski at Naoshima/Teshima
Rafael … Pulse lights
Miyajima at Naoshima

Find the root of this way of participation.

Remember salt lake project seen at Tate modern

Tatsuo Miyajima “Kadoya” at “house projects” at Naoshima 1998-1999

Kadoya, from Wikipedia
Kadoya, from Wikipedia

 

http://ja.wikipedia.org/wiki/%E5%AE%B6%E3%83%97%E3%83%AD%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88

http://www.benesse-artsite.jp/arthouse/kadoya.html

「Sea of Time ’98」　1998年
「Naoshima’s Counter Window」　1998年
「Changing Landscape」　1999年

角屋

家プロジェクトの第1弾。200年ほど経過した家屋を、焼板、漆喰、本瓦を使用し復元。山本忠司が建築を担当。屋内には宮島達男の3つの作品が置かれる。暗い内部に張られた浅い池の底からカウンターで発行するLEDのさまざまな色の朧な光が浮かび上がる作品、「シー・オブ・タイム」（「Sea of Time ’98」）- この作品の制作には町の人々も参加している。土間の壁には液晶ガラスに透明な数字がランダムに変化していく「ナオシマ・カウンター・ウィンドウ」（「Naoshima’s Counter Window」1998年）が、さらに蔵の奥には山水画の上に彩色を施した作品「チェンジ・ランドスケープ」（「Changing Landscape」1999年）がある。[1]

http://ja.wikipedia.org/wiki/%E7%9B%B4%E5%B3%B6%E7%94%BA

アーティストの宮島達男は家プロジェクト第 1弾の「角屋（かどや）」を創るに当たって町民125人を公募し、作品を構成する125個のディジタル・カウンターの明滅速度を一人一人にセッティングし てもらい、地域住民参加という手法を取ることで、現代アートという異質なものが保守的な土地に入って来ることに対する町民の反感、抵抗を払拭した。

Platoon Kunsthalle Seoul

http://www.kunsthalle.com/

ARTIST LAB

with the artist lab program, PLATOON KUNSTHALLE supports the development of extraordinary projects. under the curation of PLATOON KUNSTHALLE, international and korean artists can take the opportunity to work rent free in one of the 4 container studios up to six months.

the program allows residencies to work in lively exchange with the other artists, using the infrastructure and technical resources to realize their ideas. the ideas and concepts will be realized in diverse formats such as events, workshops or exhibitions.

Daylight Ratio

http://blog.livedoor.jp/watanabe81/archives/50772050.html

昼光率について…昼光率とは？

屋外の照度に対する室内のその場所の照度を100%で表すこと．

全天空照度に対する検討点の照度（水平面照度）の百分率…

室内の照度（水平面照度）….ランプの光具合とか数とか掃除の具合とか照明率とかを床面積で割って求める

「床にどんだけ光ってるか？」って感じかな．

照明率？…ランプからの光が机に入る割合のことっ！

「机がランプにどんだけ照らされるか？」って感じかな．

最後に,設計用とか全天空照度で，水平面照度を割って，100%の割合にすると

昼光率がわかって，明るいか暗いかがわかる．