Draft for Inakage PhD Seminar, Dec 1st, 2011

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Update
What I have done so far (from Mid September)
1)Read a lot of books and materials… to find roots of my vague ideas
2)Try locationg my research domain as participative urban landscape design (and DIY urbanism)
3)Regrouping scenarios. Found some tentative design fremeworks along the way.

My Process:
1)Start from inspiraion and tentative scenarios, building reserach subject.
2)
3)Find real situations, places, users, and specialist of the matter. Then revise the tentative scenario to concrete plan
4)

Today’s presentation.
1)Revised introduction part. to explain Research Domain
2)Revised set of scenario. to explain Research Subject

am doing:
1)draft of research proposal (with Chapter2: Literature review, Chapter 3: Concept, and Chapter4: Research plan and validation)
->This weekend. for internal review. Chapter 4 needs a bunch of advice.
->Supposedly done by now.

*
Placemaking efforts and participative urban landscape
1)Laurence halprin and workshop approach
2)Joseph Beuys and Social Sculpture
3)
*
About ‘Reciprocal stweardship’ in Design for ecological democracy

Passive Engagement Active Engagement
Stationed(Garden materials)
Use the park/ Become stewar
*Behavior/Value
Passive Engagement Active Engagement Commitment as an owner Feedback the owner will earn
Stationed  More safety and mood. Not personalized
Mobile  More safety and mood. Not personalized

Expansion of ‘stewardship’ model in to 2 axis.
1)Expand it with mobile materials. This naturally leads expansion of (2)
2)Expand it to both side of the device. Not only End users but Owners.
*

Stationed/ Mobile Scene Main Drawing Story drawing UI,System
Stationed Media Facade x1
Stationed Office and Mall at Friday night.
Stationed Side facade/Jogging course at park
Stationed Cafe / Porch
Mobile Car parking at a street 3
Mobile+Stationed Dance! x2
Mobile Schoolkids are passing by
Stationed Open tool for existing community. Stewardship at Community Housing Realtime camera on smartphone. Use candle light/handmade props

*
3 scenarios
1)Media Facade
2)Car parking
3)Dance!

Inakage PhD Seminar, Dec 21st, 2010

Inakage PhD Seminar Dec21st 2010

中山さん

大学発ベンチャー企業の研究

既存の研究をマトリックス化、分類している。

 

Peter

Matching serendipity

Mixed variables

Opimize the best match

Value is still a mistery

Simple survey

Use same train

Start with more controlled environment

How may times they have used sns?

After a few months of business service….

We’ll survey/ check if the still use…

Jan to next Dec, 1st prototype in march

 

Jess> it is tough to expect app changes their behavior in urban space.

Peter>ex) Facebook started from a college(?),

Problem is, we have no way to communicate people around us.

 

Dankan> What is the research objective?

Peter>Create more sense of place, community where place is not XX right now.

 

Dankam> Dankan Had prvided  similar service and stopped. You need to find why they stop it.

 

*

池田さん

ソフトパワーの定義

イギリスの例

デザイン活用現場に深く入り込んだ啓蒙

韓国の例

金大中大統領いらい、コンテンツ輸出に力をいれている

政府主導でのデザインコンサル

市場の啓蒙、政府がデザイン産業を啓蒙している

 

稲蔭>自分の主張を通すためにありとあらゆるソースをあつめ、自分でまとめる。人の作ったものを読んでも、作った人の論理に誘導されるだけ。

>ソフトパワーに力をいれている国がどれだけあるのかを、いろいろな資料を網羅したうえで自分でまとめる。

>池田さんのやったことを池田さんの言葉で語らなくてはいけない。

徳久>資料は要約だけでよい。自分の研究との違いを述べればよい。最終的に何を作るのか?

池田>今後どうやって日本のクリエイティブ産業を発展させるのか、という(戦略?)を出すのが目的

稲蔭>1)自分の主張が存在すること 2)いろいろな資料を主張に結びつける 3)どうやって主張を裏付けるか。

中山さんは、こういう方法で、、というのがいまの段階まである。

PeterのLinkUは、実は機能設計がおわっていて、来月から開発がはじまる。

これを読んだときにドクター論文がなにになるのかというのがてにとるようにわからないと。

リアルプロジェクトがないとどうしてもいけないわけではない。石倉さんの戦略シフトのような自分の戦略シフトをまとめる、体系化するという方法もある。

徳久(?)検証方法をいれないと。。。いってみれば妄想になってしまう。

Jess

Community building by interactiv evironment

urban foraging

urbanforage.org

public/private state of micro agriculture-ing

Inakage>phd quality..social impact.. should go beyond very naive data. you’ve to have different levels.

>We start to compete with birds and animals.

>you shouldn’t limit the idea only fro Tokyo even it was the starting point of the idea.

>Public space belongs to city or some kind of goverment. If you think about picking a flower in a sidewalk,,,, they would not allow you to do that.

Jess> Global gardening

peter>

 

Inakage Ph.D Seminar, June 7th, 2011

Johnson Leu

Designing Emotional Sound for EV

ignition

welcome

alert

goodbye

*

Don Norman “EMOTIONAL DESIGN”

1)BEHAVIORAL

2)REFRECTIVE

3)VISCERAL level

look

feel

sound

*

interested in designing sound for INTERIOR

Driver’s experience

Passenger’s experience

(in racing) Spectator’s experience

*

Kamimura-san

Museum as public media

>Who are the immediate user of your activity?

Inakage>How do we narrow down a broad size question to be managable? Not too small and not too big

>it should contribute and solve 1 or 2 questions.

>Designing size and approach (of a research) how you look at

>People would ask “what is unique (in that specific research)?”

>Computer Museum Network

 

Inakage PhD MTG, Apr 26th, 2011

KMD_PhD_Fujimura_Apr26th_2011 PPT

Urban Media Lighting/Open Light


1

[Street Light(Wikipedia)][ガス灯][Gas Lighting(Wikipedia)]

•The urban media lighting is a medium consists of physical devices such as LED light, mobile phone and networked sensors combined with mobilephone network to connect users. This combination of hardware, software and service should be a part of public service.

 

•It supports social stability to resolve a weakness of urban spaces built based on modern urban planning theory: lack of attention to keep, maintain and forge social ties of its users. We can find different types of urban space where social ties between its inhabitants are in danger.

 


1)In Situ
2)You’ll turn the light
The world has changed to be safer after we get street lights.
Change urban space, again.
This is a photo of old street light. When street lights came to urban space, it ad changed word became a bit safer, After 100 years, with network and sofisticated lighting components, what if we can turn on.off the lights by ourselves? This is my starting point. If we design relation between us and street lights once again, we may change the urban night scape, once again.


2

[Familiar Stranger(Wikipedia)] [Familiar Stranger Project, Eric Paulos]

•This is for the place where different type of people come across in daily basis such as Station, Shopping mall, Park, etc in emerging city areas such as suburban new-town or boundary where new city is about to concur old city.

 

•The users of those places are not aware of each other’s existence because they just moved in or in a situation like groups of people with different demographics are juxtaposed without proper contact points and occasions.

 

•Or improper urban planning even weaken existing ties and make familiar people unfamiliar.

 

SO how it can be useful beyond temporary use of public equipment? People in modern urban space have a number of different issues these days. Considering the situation of where and how streetlight are located/stationed, As arc light hits climinals, This open light can tacke into one of these issues.


3

http://www.flickr.com/photos/ruiguerra/4400508887#/
Access_Sester_2002
http://www.flickr.com/photos/dorena-wm/4839911214/
Ars_Center_Renate_Dodell
•The urban media lighting system provides shared experiences between them with a combination of physical device and network service situated on site. It gives interaction between members of user in two ways. When wants and desires of them cross and conflicts at the site, the system embraces the conflict, and give the users chances to overcome it.
•How an interactive lighting system solve such problems? This is the challenge of this research.

Here I show 2 modern examples of evolution of urban light scape.
1)2)
New technologies are coming up. My role is combine those components to be a system to affect our life in urban space.
The challenge is….

Inakage PhD MTG, April 26th,2011 -2

Inakage PhD MTG April 26th 2011

Inakage———-

2  big projects and 1 small
1:SOcial Entertainment project
Navinko-2, LinkU(Peter), Loop(with Mixi), Social Things(with Kayac?, KAGEO, Furisrazumi, etc),
2:Everybody’s art
What is museum in creative society? Recreation of concept of museum
3:Future Cinema
->Social Cinema
———————-
Jess
jessmantel com
———
kamimura takeo
上村武男
———-
Johnthon
———-
ジャン ジーヨン
event producing
————
大野さん
アートマネージメント
築地市場のリノベーション?
ケータリングもやっている。
————
1)Through PhD Seminar
5/10 Jess, Fujimura@Soul, Ohno
5/24 *canceled
6/7 Johnson, Jiyong, Kamimura

6/28 Jess, Fujimura, Ohno
7/12 Johnson, Jiyong, Kamimura
7/26 *canceled

2)ThroughProjects
———–
web repository of presentation data
Nomikai
Gasshuku

Inakage PhD Seminar, Feb 1st 2011

3 perspectives

Digital control. ‘Collective’ idea suits to digital control. (However, what issue the idea is challenging is uncertain)デジタルコントロール。。一番強いのはcollectiveだが、しかし、何の問題にアタックしているのか?何故それをするのか?

1:by type of Participants

Type Personal+Unknown Auidiences Personal, with stalking
Overview Temporary use/occupation of public thing
(drawing of a user is under a streetlight and being spotlighted)
Follow someone
Feature Novelty
Challenge
Negative
Related EMO(Ueki-san)
Hello Wall
Sofie calo, Vitto aconch
Type

Inter Personal

(Between Known)

Inter Personal

(Between Strangers)

Overview Send and receive messages
Feature Novelty
Challenge
Negative
Related Familiar stranger(Eric pauros)
Type Collective With curatorial selection
Overview twitter #here. mood,topic and speed of the place Selected user(s) use the system. Others watch it?
Feature Novelty
Challenge
Negative
Related Access(Mary Sester)

 

2:by type of Place

  • ある場所の
    • 管理者、
    • ユーザー、
    • Audience
  • の組み合わせのモデル化が必要。
  • 場所によってステークホルダーなどが違う
  • パブリックスペースと言っても、いろいろだ。
    • 街灯
    • セミパブリックな(商業空間?)
    • ライトアップ
  • 公共空間に明かりの問題はあるか?
    • 大体、満たされているから、(価値を)+しにくい
    • 暗い場所もあるよ!ブレーメン通りなど。。。そういう場所に(ユーザーが?)自分で設置できるとか。

(unique place and its name basis as examples)There should be issues tied to each of places)
Do fieldwork for each of them.

Type x x x x
Temporary use/occupation of public thing
(drawing of a user is under a streetlight and being spotlighted)
Send/Receive MSGs twitter #here. mood,topic and speed of the place
管理者
Feature Novelty
Challenge ddd
Negative dd dd
Related [Facilitating public awareness—the design of information distribution for communication in future workplaces EMO(Ueki-san)]
Hello Wall

 

3:by type of Lighting

  • Light Control 調光
    • Time Axis 時間軸上の調光
    • Brightness 明度
    • Color 色
      • Color is frequency of light. Includes infrared rays and ultraviolet rays. 色の周波数。赤外、紫外を含む。
    • Shape 形
    • Direction / Directivity 方向/方向性
  • 舞台照明、影、屋外ライティング
    • 光の演出論>ダムタイプの人?
    • 法的枠組み。消防法みたいなの?安全上の基準?ISO?JIS?
    • KMDはOL社の原田氏とプロジェクトを進めている
  • 赤外線だけでしか見えないものを描いて携帯のカメラで見せるとかやっている例があるね(八谷和彦の作品?)
  • 赤外線を使って情報を送信する技術もある(AISTのCoBit?)
  • IT/IP Lighting. 照明の一つ一つにIPアドレスをふって、コントロール、管理が可能なものを言う。
  • 複数のLEDを内蔵した街路灯。複数LEDの制御によって投影面の明度を制御できる。
  • LED の特性:限られた色(波長)をもつ素子の組み合わせからできているLEDのSpectol分布は、日光や白熱灯のそれと違い素子ごとにピークがある。

Inakage PhD MTG, Jan 10th 2011@Seoul

Inakage MTG 2011 Jan10th @ Cafe Pescucchi, Seocho

メディアテレスコープアジアがウェブのトレンド分析している

分析のところは、ありものでよいのでは?

光の表現のAPIはない。色彩空間にマッピングするようなものもない。そのような規格?を提案することを研究に含めるのはどうか?