Urban Interventions: Personal Projects in Public Places, R.Klanten et al., 2010

from amazon

Product Description

Evolving from graffiti and street art, urban interventions are the next generation of artwork to hit public space. Using any and all of the components that make up urban
and rural landscapes, these mostly spatial interventions bring art to the masses. They turn the street into a studio, laboratory, club, and gallery. Modified traffic signs, swings at bus stops, and images created out of sand or snow challenge us to rediscover
our environment and interact with it in new ways. The work is an intelligent and critical commentary on the planning, use, and commercialization of public space. With a rich visual selection of projects and methods, Urban Interventions documents
this new artistic approach to urban art that is currently making a profound
mark on our contemporary visual language. The book shows the growing connections and interplay of this scene with art, architecture, performance, and installation.
Propagators of urban intervention surprise and provoke with work in cities
including New York and London, but also in countries such as China, Columbia, and Turkey. Everywhere the work appears it turns public spaces into individual experiences. Urban Interventions is the first book to document these very current, personal art projects in a comprehensive way.

 

MEMO

Chapter 1: Urban Canvas

  • Haas & Hahn, Favela painting; Vila Cruzeiro, Rio de Janeiro, 2006 (p31)
  • ZASD,Berlin based artist
    • Arrow Pieses
    • Arrows Generation I,II
    • Acupunture Attempts; Berlin, 2009
  • Graffiti Research Lab
    • Laser Tag
    • LED Throwies
  • VR/Urban, SMSlingshot, Berlin, 2009
  • Electroboutique, Digiluck, Oslo, 2008-2009
  • Johannes Vogl, Five Moons, Vienna, 2007
  • Haque Design+Research, Open Burble Burble: Singapore, 2006 & Burble London, 2007
  • HeHe with Helen Evans, Nuage Vert(Green Cloud), helsinki. 2008

Chapter2: Localized

  • Pilar Lopez Baez, Little pieces of paper in the walls; Madrid, 2009(p79)
    • ‘The artist writes short texts in small pieces of paper and inserts them into little crannies in street walls. This project aims at giving buildings a voice. The pieces of paper are left to be found by pedestrians at an improbable moment.’
  • Slinkachu,
    • Slinkachu is also featured in book”Beyond The Street(p330)”
    • What brings us together and what keeps us apart, 2009 (p85)
    • installation made at Fame Festival, at Grottaglie(South of Itary, near Brindisi) ,
    • ‘For this street art and photography project, the “Little People Project”, the artist remodels and paints miniature model  train set characters, which are then placed on the streets and in public spaces…’
  • Dan Witz,
    • Third Man Series; Brooklyn, New York, 2008
    • Dark Doings’ series, New York, 2009
    • Ugly New Buildings series, New York, 2009
    • In Plain View, Williamsburg, New York 2009
    • ‘The “Kilroy Variations” are photo-based, heavily re-painted stickers glued to the walls of new modern architecture.

Chapter3: Attachments

  • ‘extensions within the cityscape’
  • ‘parasitic takeover of evーeryday spaces and structures, to which we adapt ourselves as we move through the city, can be witnessed in a wide array of works..’
  • Luzinterruptus
    • A lot of policeman for so few people..;Malasana district, Madrid, 2009
    • Urban Trash(IV); Carretas st., Madrid, 2009
    • Public toilets;Malasana district, Madrid, 2009
    • ‘Luzinterruptus is an anonymous artistic group that carries out urban interventions in public spaces using light as a  raw material and darkness as the canvas. The three members of the team come from three different disciplines: art, lighting, and photography.’
  • Jan Vormann
    • Dispatchwork; Berlin, Belgrade, Arnsberg, Israel, Arnsberg, Amsterdam
    • Using LEGO block to fill gaps and nicks in urban spaces.
  • Dan Wits
    • Prank;Greenpoint, New York, 2005
      • balloon on building facade to make it looks like a face.

Chapter4: Public Privacy

  • (the chapter) follows very different strategies that dissolve the boundaries between the private and the public, the familiar and the alien, in the urban realm.
  • Jason Eppink
    • Take a Seat; various metro stations, New York, 2007-ongoing
    • ‘Take a seat’ is an ongoing series of public furniture installations aimed at increasing the availability of seating options in New York City subway stations. Perfectly functional chairs are rescued from trash piles and reassigned to stations.
  • Arno Piroud
    • Assises ephemeres (ephemeral seats); Paris, 2007-2009
  • Cedric Bernadotte
    • Sofa at “grenier a sons”; Cavaillon, 2004
    • Interventions in public space; Toulon, 2003, Pau, 2009
    • Cedric Bernadotte’s experiments focus on the human presence in cities, namely how to adapt public spaces using inexpensive and ephemeral means. Questioning the frontier between public and private spaces, he works with tape, cellophane, and inflatables and creates new spaces by grafting existing urban furniture (p143)
  • Liesbet Bussche
    • Urban Jewelry, Amsterdam, 2009(p145)
  • Carol Hummel
    • Knitscape Larchmere, 2009(p149)
  • Kristof Kintera(p 157)
    • Lay down and Shine; Paradubice, 2008
    • Miracle(500 days from 12th September 2008); Tilburg, 2008
    • My Light us Your Light; 2008
  • Michael Rakowitz
    • paraSITE, New York, 1998-2000

Chapter 5: Activated( p 173-)

  • The projects here range from flash mobs and other choreographed events within the city,…
  • Compagnie Willi Dorner (p179)
    • Bodies in urban spaces
  • The Yes Man(p191)
    • The New York Times, New York, 2008
  • LIGNA, Radio Ballet; Leipzig, 2003 (p196)

Chapter 6: Advertised (p201-)

  • Filippo Minelli, (p241)

Chapter 7: Natural Ways(p245-)

  • Vanessa Harden(p255)
    • The Subversive Gardener/Precision Bombing Device II/Precision Bombing Device I/MkII Agent Deployed Field Auger; London , 2009
      • Guerilla Gardening subculture
  • Markus Mai(p279)
    • godlovesoul
      • God; West Carpathians, 2004
      • Mind; Magdeburg glacial valley,2004
      • Play; Black Forest, 2004
    • Beautiful Bastards; Berlin, 2005

Net Locality: Why Location Matters in a Networked World, Eric Gordon, Adriana de Souza e Silva, 2011

Kindle Edition

Review

“The authors are clearly enthusiastic about this technology and its possibilities, yet they do address privacy concerns. Particularly interesting is their discussion of the ways in which net locality impacts political engagement and local government, and how location awareness is effecting other cultures.” (Publishers Weekly , 30 May 2011)

Introduction

  • Net Locality
  • Organizing the Web
  • Location Awareness
  • Reading the Book
    • Chapter 4….Urban spaces are becoming hybridized(de Souza e Silva, 2006)
    • Chapter 5….net localities are transforming community interaction…and civic engagement
  • References

Chapter 1: Maps

  • Mapping Social Information
  • GIS: Converging Maps and Computers
  • Web GIS
  • Net Locality
  • Is the World Too Much With Us?
  • References

Chapter 2: Mobile Annotations

  • Locating Devices
  • Attaching Information to Location
  • Tracing and Mapping Locations
  • Mobile Annotation
  • Location Awareness Goes Mainstream
  • Location is Everywhere
  • References

Chapter 3: Social Networks and Games

  • Digital Connection in Physical Spaces
  • Games and Interaction
  • The Expansion of Location Awareness
  • New Spaces, New Practices
  • References

Chapter 4: Urban Spaces

  • Good Old Public Spaces
  • “Getting Away with Going Away”
  • Performance in/Of Public
    • Refering  Rockferrer center’s skate link and space and cloud of people watching it, he suggests there’s fluidity of state of people between performing and watching it.
  • Transformed Urban Spaces
  • References

Chapter 5: Community

  • Community and Society
  • Neighborhood Connectivity
  • Designing Engagement
  • Hyperlocal News
  • Government 2.0
  • The Politics of Net Localities
  • References

Chapter 6: Privacy

  • The Public Nature of Locaton Data
  • The Privatization of Public Spaces
    • distinction between private and public is socially constructed and therefore variable and constantly changing.
  • Power in Net Localities
  • References

Chapter 7: Globalization

  • Japan
  • China
  • Considering the Net-Local Future
  • References

Chapter 8: Conclusion

  • Technological Infrastructures
  • Social Infrastructures
  • Moving Forward
  • References

Disenchanted Night: The Industrialization of Light in the Nineteenth Century, Wolfgang Schivelbusch, 1995

http://www.amazon.com/Disenchanted-Night-Industrialization-Nineteenth-Century/dp/0520203542/

Amazon.com Review
The story of the development of artificial light in the 19th century is not only a history of its technology but a revelation of how that technology helped forge modern consciousness. The range of subjects includes the political symbolism of streetlamps, the rise of nightlife and the shop window, and the importance of the salon in the bourgeois culture. Very Highly Recommended.

邦訳はこちら

http://www.amazon.co.jp/闇をひらく光―19世紀における照明の歴史-ヴォルフガング-シヴェルブシュ/dp/4588276433/

これは続編(20世紀編?)ドイツ語の原書と日本語訳しかない。

http://www.amazon.co.jp/光と影のドラマトゥルギー―20世紀における電気照明の登場-ヴォルフガング-シヴェルブシュ/dp/4588276441/

Sense of the City: An Alternate Approach to Urbanism, Mirko Zardini(ed), 2005

Product Description

Challenging the dominance of the visual in the urban environment, the exhibition catalogue Sense of the City proposes a re-thinking and re-presenting of the city, and offers a more complex analysis of the qualities, comforts, communication systems, and sensory dimensions of urban life. From darkness and night to urban soundscapes, to the urban air and climate, this book presents a new, “sensorial” approach to urbanism. In defense of public spaces in contemporary cities, writer Cedric Price has observed that “mental, physical, and sensory well-being is required.” Included here is a rich collection of images on the different urban themes addressed in the exhibition, along with a series of insightful and critical essays. Contributors include Constance Classen, David Howes, Norman Pressman, Emily Thompson, and Mirko Zardini. Edited by Mirko Zardini. Hardcover, 6.5 x 9.5 in./320 pgs / Illustrated throughout.

Tsubasa Kato 加藤 翼

http://www.mujin-to.com/artist_kato.htm

http://koganecho.net/koganecho-bazaar-2011/artist/tsubasa-kato.html

http://koganecho.net/koganecho-bazaar-2011/artist/tsubasa-kato.html

Profile_
1984 年埼玉県生まれ。2010年東京藝術大学 大学院美術研究科 修了。2007年、当時 住んでいた自分と友人の部屋の間取りを合体させた構造体を引き興す を発表。その後、上野恩賜公園(2008 年)、 フランス ナント(2009年)でのプロジェクトを経て、2010年、東京・森美術館での「六本木クロッシング2010展:芸術は可能か?」に参加。今年、大阪市中央公会堂前、大阪城公園、万博記念公園前でのイベントを行う。

Design, implementation and evaluation of a novel public display for pedestrian navigation: the rotating compass、Rukzio, et al, 2009

http://dl.acm.org/citation.cfm?id=1518722
http://andrewjohnsonhci.blogspot.com/2010/02/design-implementation-and-evaluation-of.html

Wismar Dynamic Lighting Workshop, HFG Wismar+Philips Lighting, 2011

On 9 June 2011, students and advisers fine-tuned the staircase installation. This segment show how the shadows follow our choreography.
Youtube Channel
In March 2011, the Hochschule Wismar, with the support of Philips Lighting, launched a 4th-semester Dynamic Lighting Workshop project to develop creative and technically groundbreaking lighting concepts for public space. The goal was to explore how light brings static surfaces to life, lends dynamism to facades and enlivens buildings. You can read about the entire project on LightCommunity:


http://community.lighting.philips.com/blogs/WismarProjects

The Wismar Dynamic Lighting Workshop presentation was delivered by 22 students on June 10 at Hochschule Wismar, the Faculty of Design and Architecture in northern Germany. This film is a documentation of the installations, produced by students on the Communication and Media course of the school (Professor Jochen Wisotzki).

Staircase group project
Students: Olga Galkova, Fernanda Montecinos, Darío Nuñez, Volha Pakholkava, Natasa Rajic, Menekse Seyma Kaya, Julie Wangsajaya, Linlin Yang

Bridge Group project
Students: Frederik Friederichs, Christine Holzke, Stefan Maassen, Juan Felipe Rivera, Piyanut Siramanakun, Isabella Trybula, Daniel Witzler, Lin Zhang

Facade Group project
Students: Audry Brandsma, Jürgen Eisenhauer, Melanie Heilgeist, Janine Jeserig, Elena Kozlova, Akarsh Mahendra, Vikramaditya Varma