Category: Lighting

Taizo Matsumura, 松村泰三

http://otonanokagaku.net/feature/vol9/index.html

http://www.exploratorium.edu/snacks/colored_shadows/

http://www.aomori-museum.jp/ja/blog/1175.html

ワークショップでの混色の使用は、以下のものに似ている

http://www.olafureliasson.net/exhibitions/your_chance_encounter_24.html

Slow-motion shadow in colour, 2009
Your chance encounter
21st Century Museum of Contemporary Art, Kanazawa, 2009-2010

Selected publications:
Olafur Eliasson: Your Chance Encounter. Exhibition catalogue. Baden: Lars Müller Publishers; Kanazawa: 21st Century Museum of Contemporary Art, 2010.

ACCESS, Marie Sester, 2003

http://en.wikipedia.org/wiki/Marie_Sester

from wikipedia

Work

After school, Sester’s interests shifted from designing physical structures to the study of ideological frameworks, specifically how culture and politics affect our sense of place. Her work focuses on notions of privacy and identity, particularly how we navigate through contemporary society’s systems of surveillance and security. Her work relies on interaction with the audience, creating encounters where it’s not clear if one is experiencing something playful or sinister.[4]

Shows and Recognition

Sester was a Creative Capital grantee in 2002.[5]

Her work has earned recognition in the art and technology worlds, including an Honorary Mention in Interactive Art from Ars Electronica (2003),[6] a Webby Award for Net Art (2004)[7] and a spot on the “50 Coolest Websites” list on Time Magazine Online (2004).[8]

Recently, her works have been included in the Seoul and Singapore Biennales (2008),[9] Glow Eindhoven (2009),[10] SFMOMA (2010–2011)[11] and EMPAC in Troy, New York (2010–2011).[12]

——————-

http://www.flickr.com/photos/ruiguerra/4400508887#/
Access_Sester_2002

ACCESS(2003)

http://www.accessproject.net/

http://www.sester.net/projects/access/access.html

ACCESS lets you track anonymous individuals in public places, by pursuing them with a robotic spotlight and acoustic beam system.

ACCESS presents control tools generated by surveillance technology combined with the advertising and Hollywood industries, and the internet. It refers to political propoganda and media manipluation.

Leni Schwendinger, ‘Fusing Art+Design with Light”Lighting Urbanist’

Interview

http://www.metropolismag.com/story/20080618/leni-schwendinger

World-saving mission: To redefine the public realm that seemingly belongs to no one—like the sidewalks of New York City. To the citizen, the streets and sidewalks are not owned and not designed.

Her Studio’s main page

http://www.lightprojectsltd.com/

Youtube Channel

http://www.youtube.com/user/LightProjectsLTD

Blog: Light Walk

http://lenischwendinger.wordpress.com/2011/06/13/islington-after-dark-a-london-lightwalk/

SpectraScape:

As youLight it: Leni Schwendinger

Runway Lighting

Runway Lighting
http://en.wikipedia.org/wiki/Runway#Runway_lighting

History

The first runway lighting appeared in 1930 at Cleveland Municipal Airport (now known as Cleveland Hopkins International Airport) in Cleveland, Ohio.[citation needed] A line of lights on an airfield or elsewhere to guide aircraft in taking off or coming in to land or an illuminated runway is sometimes also known as a flare path.

Control of Lighting System Typically the lights are controlled by a control tower, a Flight Service Station or another designated authority.[citation needed] Some airports/airfields (particularly uncontrolled ones) are equipped with Pilot Controlled Lighting, so that pilots can temporarily turn on the lights when the relevant authority is not available.[citation needed] This avoids the need for automatic systems or staff to turn the lights on at night or in other low visibility situations. This also avoids the cost of having the lighting system on for extended periods. Smaller airports may not have lighted runways or runway markings. Particularly at private airfields for light planes, there may be nothing more than a windsock beside a landing strip.

 

Runway(for fashion show) lighting

t3 fashion runway

Above us only sky.

Runway Centerline Lighting System @ KIX/RJBB

Gardermoen airport

Liverpool Airport

Landing on 12R at KSTL

 

Approach Lighting System, at Sarajevo Airport

Scenario: 夕方のデザイン　White light to Moody Yellow color

LeniSchwendinger_Masterplan http://www.lightprojectsltd.com/projects/design_works_flatbush.php

As ‘Lighting master plan level’
Works as white light for night time. Turns yellow-ish color for friday and weekend nights. And use can arrange colors as he/she wants.

Title

夕方のデザイン： White Light to Moody Yellow Light
Theme 流れにかかわる：
Place —
Time/Occasion —
People —
Interaction/
Participation		 夕焼けを呼ぶ、操作する。
Lighting Street Light, Light up of buildings, etc
  • 丸の内。
  • 金曜の夜に共有通路？の照明を白からアンバーに切り替えてゆく。
  • これは、夕焼けを遅くにするという表現。
  • この切り替えが、家路を急ぐ会社員の流れと、（おそらく逆向きの）店舗エリアへ急ぐ人々の流れに影響されて、三々五々変わってゆく。
  • Productivityのための空間からEntertainment,Relax and Consumptionのための空間に変化する時間の表現と、時間によって機能を変化する場所の効果の最大化を狙う。
    • 夕方のデザイン。
    • 室内の（時間を感じない）場所は対象からはずすー＞駅のおばあちゃんのナビゲーションとかの昼間も含めたユーザビリティ的シナリオはどうするの？
    • 夕方とは
    • 自然の力（日光が消える）に人間が対抗する光をともす時間。光にも造園と一緒で、自然と人工の兼ね合いがこの時間生じる。
    • 壁や屋根で室内と外を仕切る建築にたいして、昼と夜の境目を制御する人工の光。
    • 日光の衰えと、人工の光の登場が交差する。トワイライトゾーン。
    • よって、１日の間で限られた時間である。
    • 闇はみなキャンバスになりうる
    • The Marriage of Necessity and Happiness (Ecological Democracy, p5)
    • ゾーニングへの反抗。一つの場所に２つの使用目的とそのためのムードがあってもいいではないか。プロントの例、金曜夜のオフィス街の光の色のアイ デア。Alternaive ‘zoning’ /beyond square ‘zoning’ ->一粒で２度おいしい。

DJ Light, Cinimod Studio, Lima, Peru. 2010

http://www.cinimodstudio.com/dj-light

DJ Light is an immersive public sound and light installation that gives visitors the power to orchestrate an awe-inspiring performance of light and sound across a large public space. It was created for energy company Endesa as the cornerstone of their Christmas celebrations in Lima, Peru.

DJ Light (DJ Luz), Lima 2010 from Cinimod Studio on Vimeo.

http://www.cinimodstudio.com/
http://www.cinimodstudio.com/

Susane Seitinger’s research

  • The researcher’s main page
  • LightBridge, May 2011
    • (in Video(youtube), around 4min, she describes the system and mentioned opensource SW to support media facade programming)
  • Liberated pixels :alternative narratives for lighting future cities, 2010
    • PhD Dissertation
    • Light Bodies
      • Susane Seitingerの博士での研究のプロジェクト３つのうちの一つが、ランタン（日本でいえば、夜間の外出時にもちあるいた手持ち提灯）の歴史をふまえた個人用の、センサーによって与えられた刺激に反応する光のオブジェクトでした。クラシックのコンサートやジャズバーで複数を置いて場所の演出に利用した例が論文で示されています。Seitingerの研究のポイントの一つが、既存のインフラから光を自由にするための技術なのですが、ガス灯という形で社会インフラになる前の、個人が小型のランタンを持ち、または玄関前に自分で設置し、管理していた光の集合しかなかった時代の光のありかた
  • Urban Pixels
    • Here (MIT Labcast)she explains basic concept of ‘Urban Pixels’ together with her adviser William Michael
  • Light Body
    • in Shigeru Kobayashi’s ‘Prototyping Lab’, pp20
      • we asked how we might engage people in more actively shaping the lightscapes which surround them.

Project Cabrini Green

Cabrini-Green’s last high-rise, 1230 N. Burling, is being demolished, starting on March 30, 2011. Project Cabrini Green is a public art installation created with the community in response to this event. Click on the apartments above to explore the audio/texts created by youth who attended the project workshops. Texts are available on both sides of the building.

http://www.projectcabrinigreen.org/index.php

Ed Bennet of School of Art Institute of Chicago

 

http://www.saic.edu/