Category: Thesis

Okude PhD MTG, May 6th? Presentation Q and A

Lee

  • User
  • Problem
  • Solution

Takei

  1. Why Light? and why not Sound?
  2. Why they have to be connected

Tomago

  • How to measure (the effectiveness?)

Meikei

Social interaction & Shared experience

(definition, what is in common and what is the difference)

Sato

Who runs it, Who maintains it?

Jeffrey

In Europe, places where people meet is more or less designated (Socially?)  such as square.

Is there any view for old/elder generation?

Mori

->Biz

Youjeen

Perhaps better look at Art Funds.

Kashiwagi

—

Okude

Weak points

1:How do you deal with social capital

  • Can it me measured?

2:(as lee san mentioned) What is the problem?

  • Suggestion: Quality of transit space( as 4th space)
  • ..and I don’t think the concept of 4th place includes Social Capital
  • Architecture/Installation
    • Safety/Control
    • City Structure
  • Public Openness

3:Interaction Design

4:Business

as Mori san said, Business pertners are needed

  1. Hypothesis
  2. Sophisticated description(?)
  3. Interaction Design
  4. Business: Hitachi? Real estate companies?

Scenario: 夕方のデザイン　White light to Moody Yellow color

LeniSchwendinger_Masterplan http://www.lightprojectsltd.com/projects/design_works_flatbush.php

As ‘Lighting master plan level’
Works as white light for night time. Turns yellow-ish color for friday and weekend nights. And use can arrange colors as he/she wants.

Title

夕方のデザイン： White Light to Moody Yellow Light
Theme 流れにかかわる：
Place —
Time/Occasion —
People —
Interaction/
Participation		 夕焼けを呼ぶ、操作する。
Lighting Street Light, Light up of buildings, etc
  • 丸の内。
  • 金曜の夜に共有通路？の照明を白からアンバーに切り替えてゆく。
  • これは、夕焼けを遅くにするという表現。
  • この切り替えが、家路を急ぐ会社員の流れと、（おそらく逆向きの）店舗エリアへ急ぐ人々の流れに影響されて、三々五々変わってゆく。
  • Productivityのための空間からEntertainment,Relax and Consumptionのための空間に変化する時間の表現と、時間によって機能を変化する場所の効果の最大化を狙う。
    • 夕方のデザイン。
    • 室内の（時間を感じない）場所は対象からはずすー＞駅のおばあちゃんのナビゲーションとかの昼間も含めたユーザビリティ的シナリオはどうするの？
    • 夕方とは
    • 自然の力（日光が消える）に人間が対抗する光をともす時間。光にも造園と一緒で、自然と人工の兼ね合いがこの時間生じる。
    • 壁や屋根で室内と外を仕切る建築にたいして、昼と夜の境目を制御する人工の光。
    • 日光の衰えと、人工の光の登場が交差する。トワイライトゾーン。
    • よって、１日の間で限られた時間である。
    • 闇はみなキャンバスになりうる
    • The Marriage of Necessity and Happiness (Ecological Democracy, p5)
    • ゾーニングへの反抗。一つの場所に２つの使用目的とそのためのムードがあってもいいではないか。プロントの例、金曜夜のオフィス街の光の色のアイ デア。Alternaive ‘zoning’ /beyond square ‘zoning’ ->一粒で２度おいしい。

DJ Light, Cinimod Studio, Lima, Peru. 2010

http://www.cinimodstudio.com/dj-light

DJ Light is an immersive public sound and light installation that gives visitors the power to orchestrate an awe-inspiring performance of light and sound across a large public space. It was created for energy company Endesa as the cornerstone of their Christmas celebrations in Lima, Peru.

DJ Light (DJ Luz), Lima 2010 from Cinimod Studio on Vimeo.

http://www.cinimodstudio.com/
http://www.cinimodstudio.com/

Light Showers, Jill Anholt, 2011,Toronto

http://www.jillanholt.ca/projects/light-showers

Light Showers
Jill Anholt


A series of iconic sculptures integrated into a new park along Toronto’s waterfront visibly express the surrounding community’s aspirations to sustainability. Nine meter tall art elements display and celebrate collected and purified community storm water , lifting it from the ground to the sky where it falls as a textured veil of water into a channel that returns it to Lake Ontario. As people meander over bridges between the elements, integrated motion sensors trigger shifting light patterns in the water curtains, emphasizing the connection between local actions and distant effects.

Location: Sherbourne Park, Toronto ON
Status: Completed Summer 2011

http://dirt.asla.org/2011/08/17/the-future-is-here-sherbourne-common/

‘7000 Oaks’ 1982-87, Joseph Beuys

[gview file=”http://research.norifujimura.com/wp/wp-content/uploads/2011/08/7000Oaks_Timeline.ppt”]

[gview file=”http://research.norifujimura.com/wp/wp-content/uploads/2011/08/7000Oaks_Timeline.pptx”]

 

7000Oaks_Timeline

7000 Oaks

http://en.wikipedia.org/wiki/7000_Oaks

Joseph Beuys

http://en.wikipedia.org/wiki/Joseph_Beuys

Social Sculpture

http://en.wikipedia.org/wiki/Social_sculpture

In 1973, Beuys wrote:

“Only on condition of a radical widening of definitions will it be possible for art and activities related to art [to] provide evidence that art is now the only evolutionary-revolutionary power. Only art is capable of dismantling the repressive effects of a senile social system that continues to totter along the deathline: to dismantle in order to build ‘A SOCIAL ORGANISM AS A WORK OF ART’… EVERY HUMAN BEING IS AN ARTIST who – from his state of freedom – the position of freedom that he experiences at first-hand – learns to determine the other positions of the TOTAL ART WORK OF THE FUTURE SOCIAL ORDER.” [1]

*^ Beuys statement dated 1973, first published in English in Caroline Tisdall: Art into Society, Society into Art (ICA, London, 1974), p.48. Capitals in original.

AirSketcher: 風を使いやすくする手法の提案とその実装, 渡邊恵太,2011

http://www.persistent.org/airsketcher.html

現代の空調システムには，温度設定が部屋単位であることや人間の室温の感じ方の差など課題がある．本研究では，その解決手法としてインタラクションの観点から使いやすい風をつくりだすAirSketcherを提案する．AirSketcherは直接的で多様な風を容易につくりだすことができる扇風機（送風）システムである．扇風機にインタラクティブ性を持たせ，ユーザが意図通り風を操作可能になることで，空調に対する不満を解決できるのではないかと考えた．本研究では風を制御するインタラクション手法として風を操るかのようなメタファで風を制御するAirWand, 風を描くメタファを用いて風を制御するAirCanvas, 風を受け入れるか否かをカードによって指示するAirFlagをの3つを考案し試作した．

加藤文俊、慶応SFC

http://www.fklab.net/

http://www.keio-up.co.jp/kup/camp/index.html

加藤文俊研究室の作品は、人びとのコミュニケーション過程を理解するとともに、関係性を可視化する方法を検討します。｜慶應SFC XD展 2011

http://sakainaoki.blogspot.com/2011/04/sfc-xd-2011.html