Category: Light/Shade

Daylight Window, Philips, (from Simplicity event at 2007)

from Philips’s Youtube Channel

The full presentation of the Philips Daylight Window concept, shown at the Simplicity Event 2007 at Earls Court in London.

(memo Sep20th2011)
around 3min, a scenario which considers light color effect for sleeping, adjusting jetlag and waking up is mentioned with some medical information/evidence such as cerotonine production.

Taizo Matsumura, 松村泰三

http://otonanokagaku.net/feature/vol9/index.html

http://www.exploratorium.edu/snacks/colored_shadows/

http://www.aomori-museum.jp/ja/blog/1175.html

ワークショップでの混色の使用は、以下のものに似ている

http://www.olafureliasson.net/exhibitions/your_chance_encounter_24.html

Slow-motion shadow in colour, 2009
Your chance encounter
21st Century Museum of Contemporary Art, Kanazawa, 2009-2010

Selected publications:
Olafur Eliasson: Your Chance Encounter. Exhibition catalogue. Baden: Lars Müller Publishers; Kanazawa: 21st Century Museum of Contemporary Art, 2010.

ACCESS, Marie Sester, 2003

http://en.wikipedia.org/wiki/Marie_Sester

from wikipedia

Work

After school, Sester’s interests shifted from designing physical structures to the study of ideological frameworks, specifically how culture and politics affect our sense of place. Her work focuses on notions of privacy and identity, particularly how we navigate through contemporary society’s systems of surveillance and security. Her work relies on interaction with the audience, creating encounters where it’s not clear if one is experiencing something playful or sinister.[4]

Shows and Recognition

Sester was a Creative Capital grantee in 2002.[5]

Her work has earned recognition in the art and technology worlds, including an Honorary Mention in Interactive Art from Ars Electronica (2003),[6] a Webby Award for Net Art (2004)[7] and a spot on the “50 Coolest Websites” list on Time Magazine Online (2004).[8]

Recently, her works have been included in the Seoul and Singapore Biennales (2008),[9] Glow Eindhoven (2009),[10] SFMOMA (2010–2011)[11] and EMPAC in Troy, New York (2010–2011).[12]

——————-

http://www.flickr.com/photos/ruiguerra/4400508887#/
Access_Sester_2002

ACCESS(2003)

http://www.accessproject.net/

http://www.sester.net/projects/access/access.html

ACCESS lets you track anonymous individuals in public places, by pursuing them with a robotic spotlight and acoustic beam system.

ACCESS presents control tools generated by surveillance technology combined with the advertising and Hollywood industries, and the internet. It refers to political propoganda and media manipluation.

Leni Schwendinger, ‘Fusing Art+Design with Light”Lighting Urbanist’

Interview

http://www.metropolismag.com/story/20080618/leni-schwendinger

World-saving mission: To redefine the public realm that seemingly belongs to no one—like the sidewalks of New York City. To the citizen, the streets and sidewalks are not owned and not designed.

Her Studio’s main page

http://www.lightprojectsltd.com/

Youtube Channel

http://www.youtube.com/user/LightProjectsLTD

Blog: Light Walk

http://lenischwendinger.wordpress.com/2011/06/13/islington-after-dark-a-london-lightwalk/

SpectraScape:

As youLight it: Leni Schwendinger

Runway Lighting

Runway Lighting
http://en.wikipedia.org/wiki/Runway#Runway_lighting

History

The first runway lighting appeared in 1930 at Cleveland Municipal Airport (now known as Cleveland Hopkins International Airport) in Cleveland, Ohio.[citation needed] A line of lights on an airfield or elsewhere to guide aircraft in taking off or coming in to land or an illuminated runway is sometimes also known as a flare path.

Control of Lighting System Typically the lights are controlled by a control tower, a Flight Service Station or another designated authority.[citation needed] Some airports/airfields (particularly uncontrolled ones) are equipped with Pilot Controlled Lighting, so that pilots can temporarily turn on the lights when the relevant authority is not available.[citation needed] This avoids the need for automatic systems or staff to turn the lights on at night or in other low visibility situations. This also avoids the cost of having the lighting system on for extended periods. Smaller airports may not have lighted runways or runway markings. Particularly at private airfields for light planes, there may be nothing more than a windsock beside a landing strip.

 

Runway(for fashion show) lighting

t3 fashion runway

Above us only sky.

Runway Centerline Lighting System @ KIX/RJBB

Gardermoen airport

Liverpool Airport

Landing on 12R at KSTL

 

Approach Lighting System, at Sarajevo Airport

Tribute in Light, Municipal Art Society and Creative Time of NYC, 2002-present

http://mas.org/programs/tributeinlight/

http://en.wikipedia.org/wiki/Tribute_in_Light

Tribute in Light, being projected on Sept. 11, 2009, from the ProPublica office on One Exchange Plaza


Tribute in Light was first presented on March 11, 2002, six months after the attacks, and MAS has presented it annually since. Comprising eighty-eight 7,000-watt xenon light bulbs positioned into two 48-foot squares that echo the shape and orientation of the Twin Towers, Tribute in Light is assembled each year on a roof near the World Trade Center site. The illuminated memorial reaches 4 miles into the sky and is the strongest shaft of light ever projected from earth into the night sky. See this list of great Viewing Locations.

It was independently conceived by several artists and designers who were brought together under the auspices of MAS and Creative Time. Tribute was designed by John Bennett, Gustavo Bonevardi, Richard Nash Gould, Julian Laverdiere and Paul Myoda with lighting consultant Paul Marantz. It was originally made possible by a grant from the Lower Manhattan Development Corporation and with the generous assistance of Con Edison.

See and listen to the origins of Tribute in Light and how it is produced annually on September 11.