複数（８本程度？）の見かけは普通の街灯と、それが照らす街路、住宅地の一角、商店街、または郊外の私鉄駅前を想定。
Seitinger のARライトのような色、光のエリアが変更可能な街灯を想定。
どのような操作を、どういうユーザなら行うのだろうか？
- 複数の別種のユーザ
- １のユーザの組み合わせ（１がｘｘしているところに２がくる。。）の状況
を考えてみる。
Scenario:POKE
For: Housing Complex (includes open space), Park, Museum
ユーザが庭や美術館の前を歩いていると、家族にその知らせが届く。
家族は（家にある端末や携帯から）ユーザに光のpokeをすることができる。その際の色、照明の時間軸上の変化パターンはカスタマイズできる。
- この、色とパターンは、
- ユーザが登録していたものを家族が光らせるのか？
- 家族が自分で作ったものを光らせるのか？
- ユーザが登録していたもの＋家族が作ったもの、の相乗的なものか？その場合、相手にそれがわかるか？
- 時間軸があるのなら、２パターンのモーふぃんぐ
- 同じしくみを、トリガーをユーザがひくものと考えると、改札のシナリオになる。
Turntable.fm :IA for community design
http://www.ideaxidea.com/archives/2011/06/turntable_fm.html
‘Tvor’, Jindřich Vodička,2010
Tvor (the creature) is a lamp endowed with artificial intelligence. With the help of sensors, it moves towards the darkest place in the room. It seeks out darkness relentlessly and its illuminating presence transfers the darkness to another place. Tvor is thus doomed to endless travel.
Tvor Beta made its debut in June 2010 in the Gallery of the Academy of Arts, Architecture and Design in Prague
What ‘Smart grid’ Misses?
スマートグリッドは効率化のために重要。節電の問題解決のための重要なツール。
しかし、照明との関わりのなかで考えると、照明デザインの重要な要素であるEmotional designにかかわる要素がない。
“Kinetic lights” by WHITEvoid
“Kinetic lights” by WHITEvoid
“Kinetic lights” consists of a flexible arrangement of remote controllable cable winches with attached LED light modules. Each light module can be adjusted individually in height and luminance by the control software. By synchronizing position and light animation, complex shapes and light patterns can be generated within the array. Any number of winches can be arranged in any spacial configuration. Various LED modules can be attached to the system to form individual custom solutions. White, colored or full RGB LED modules can be attached to the flexible system to produce individual custom solutions.
kinetic lights is a product by WHITEvoid
Reuben Margolin,Kinetic Wave Sculptures on MAKE: television
Reuben Margolin,Kinetic Wave Sculptures on MAKE: television
Reuben Margolin, a Bay Area visionary and longtime maker, creates totally singular techno-kinetic wave sculptures. Using everything from wood to cardboard to found and salvaged objects, Reubens artwork is diverse, with sculptures ranging from tiny to looming, motorized to hand-cranked. Focusing on natural elements like a discrete water droplet or a powerful ocean eddy, his work is elegant and hypnotic. Also, learn how ocean waves can power our future. Learn more about Reuben at http://www.reubenmargolin.com/
Memo. Change of ways of internet access and where it takes place
Memo. Change of ways of internet access and where it takes place
Inakage Ph.D Seminar, June 7th, 2011
Johnson Leu
Designing Emotional Sound for EV
ignition
welcome
alert
goodbye
*
Don Norman “EMOTIONAL DESIGN”
1)BEHAVIORAL
2)REFRECTIVE
3)VISCERAL level
look
feel
sound
*
interested in designing sound for INTERIOR
Driver’s experience
Passenger’s experience
(in racing) Spectator’s experience
*
Kamimura-san
Museum as public media
>Who are the immediate user of your activity?
Inakage>How do we narrow down a broad size question to be managable? Not too small and not too big
>it should contribute and solve 1 or 2 questions.
>Designing size and approach (of a research) how you look at
>People would ask “what is unique (in that specific research)?”
>Computer Museum Network
Book:SITUATION
SITUATION
Field Work
Miwon Kwon One Place After Another
Action and Public Space
Hannah Arendt: The Public Realm
Michel de Certeau ‘Spaces’ and ‘Places’
Krzysztof Wodiczko Strategies of Public Address: Which Media, Which Publics?
Rosalyn Deutsche Uneven Development: Public Art in New York City
Vitto Acconti:Leaving Home: Notes on Insertions into the Public
Simon Sheikh: In the Place of the Public Sphere? or, the World in Fragments
Place and Locality
Lawrence Weiner HERE THERE& EVERYWHERE
Marc Auge From Placces to Non-Places
Arjun Appadurai The production of Locality