人がソーシャルメディアを使って表現する、そのそのモチベーションをリサーチ中

Tweet from Akiko Sugaya/菅谷明子(@AkikoSugaya)
Arianna Huffingtonの「自己表現は新しいエンターティメント」という言葉が気になり、人がソーシャルメディアを使って表現する、そのそのモチベーションをリサーチ中。久々に見返したダニエル・ピンクのTED Talk おすすめ。http://bit.ly/2gxmVD

March 10, 2011 11:17:18 PM
from web

See More: http://twitter.com/AkikoSugaya/status/45850722964742145

Eco-visualization: combining art and technology to reduce energy consumption,ACM Creativity and Cognition,2007

http://portal.acm.org/citation.cfm?id=1254982

Can creative visualizations of real time energy consumption patterns trigger more ecologically responsible behavior? Media art that displays the real time usage of key resources such as electricity offers new strategies to conserve energy in the home and workplace. This paper details the development of a public art project created for the National Center for Supercomputing Applications that measures electricity usage in real time for the purpose of education and curtailment of power usage. A version of this piece will be on view in the exhibition, Speculative Data and the Creative Imaginary, a component of the 2007 Creativity and Cognition conference.

7000 Oaks and Counting, Tiffany Holmes,2006-2009

http://tiffanyholmes.com/current-ecoart/7000-oaks-and-counting/

on follwoing paper
http://andrewjohnsonhci.blogspot.com/2010/03/nourishing-ground-for-sustainable-hci.html
http://dl.acm.org/citation.cfm?id=1518701.1518763&coll=DL&dl=ACM&CFID=43637906&CFTOKEN=18648348

Scenario: Candle light

Title: Candle Light

  • イベント。Commemoration
  • 街灯の１本１本の基部にニッチがあって、そこにろうそくがあり、灯す、、というバージョンも考えられる。

Place: i)Building ii)Exhibition room or bar iii) Entrance or outside

Issue: Light which changes continuously by nature includes human existence.

Issue: Connect artificial and pilitically uncontrable concept of modern light and its enegy source and human-size candle fire.

  • Intervention
    • human can intervene in the loop
    • fire of the candle also affected even tiny flow of air at the site.   Nature and human motion effects.
    • ソウルのお寺でみた、持ち寄る光（ろうそく）
    • 持ち寄って灯すひとつひとつの光が、Media Facadeのコマに対応。

*

  1. Candle(length is just same as opening time length of the exhibition site)
  2. iPodTouch+OF_iOS–Camera and app on iOS
  3. wifi
  4. wifi router
  5. wifi shield+Auduino
  6. AC lump controller
  7. 100W bulb or LED lump

Metastasis(Spectral View) , Iannis Xenakis ,1955

Metastasis or Metastaseis (“dialectic transformations”), is an orchestral work by Iannis Xenakis, a Greek composer-architect and a major figure in the postwar development of musical modernism worldwide. He is particularly remembered for the pioneering use of stochastic mathematical techniques in his compositions, including probability (Maxwell-Boltzmann kinetic theory of gases, aleatory distribution of points on a plane, minimal constraints, Gaussian distribution, Markov chains), game theory, group theory, Boolean algebra and Brownian motion.

Metastasis was inspired by Einstein’s view of time (a function of matter & energy) and structured on mathematical ideas by Xenakis’s colleague Le Corbusier. The 1st and 3rd movements don’t have a melodic theme to hold them together, but rather depend on the strength of this conceptualization of time. The 2nd movement does have some sort of melodic element. A fragment of a 12-tone row is used, with durations based on the Fibonacci sequence (1,1,2,3,5,8,13,21,34…)

The preliminary sketch for Metastasis was in graphic notation looking more like a blueprint than a musical score, showing graphs of mass motion and glissandi like structural beams of the piece, with sound frequencies on one axis and time on the other. In this video I tried to display this by presenting the frequency spectrum (0-20.000Hz) of the piece and how Xenakis actually “drew” music.

SWF Symphony Orchestra
Hans Rosbaud, conductor
October 1955