| very important(Oct 2011) | Art, space and the city: public art and urban futures, Malcolm Miles, 1997 | — | |
| — | Warped Space: Art, Architecture, and Anxiety in Modern Culture, Anthony Vidler, 2002 |
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| — | Urban regeneration: a challenge for public art Universitat de Barcelona, 1997? |
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| — | One Place after Another: Site-Specific Art and Locational Identity, Miwon Kwon, 2004—– | — | — |
| — | Conversation Pieces: Community and Communication in Modern Art, Grant H. Kester, 2004 | — | — |
| very important(Oct 2011) | The Art of Placemaking: Interpreting Community through Public Art and Urban Design, Ronald Lee Fleming, 2007 | — | — |
| very important(Oct 2011) | Dialogues in Public Art , Tom Finkelpearl, 2001 | from AMAZON: By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Tom Finkelpearl is Program Director of PS 1 Contemporary Art Center in New York City. From 1990 to 1996, he was Director of New York City’s Percent for Art Program. | — |
| very important(Oct 2011) | Urban Interventions: Personal Projects in Public Places, R.Klanten et al., 2010 | — | — |
| — | Social Works: Performing Art, Supporting Publics, Shannon Jackson, 2011 | — | — |
Japanese
| — | 再発見される風景：ランドスケープが都市をひらく、 カトリーヌ•グルー ほか、 1998—— |
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| — | 都市空間の芸術―パブリックアートの現在、 カトリーヌ-グルー 1997—— |
Dialogues in Public Art と重なる部分が多い | — |