Participation and Public

• Prefab Coat,Takehiko Sanada, 2004
• 開いてつながる衣服’個人と社会の界面である衣服を個人の空間象徴として扱い、かつそれに他者との接続、展開性をもたせたデザインを施すことで、個人の解放を示唆している。クリティカルデザイン？デザインを用いたアート？（Aug２０１１）
• Fabric, Clothes, Holon

• 7000 Oaks,Joseph Beuys, 1982-87
• at Urban Open Space
• Oak trees, Planting, Stone, Direct democracy, Social Sculpture
• In 1973, Beuys wrote:

  “Only on condition of a radical widening of definitions will it be possible for art and activities related to art [to] provide evidence that art is now the only evolutionary-revolutionary power. Only art is capable of dismantling the repressive effects of a senile social system that continues to totter along the deathline: to dismantle in order to build ‘A SOCIAL ORGANISM AS A WORK OF ART’… EVERY HUMAN BEING IS AN ARTIST who – from his state of freedom – the position of freedom that he experiences at first-hand – learns to determine the other positions of the TOTAL ART WORK OF THE FUTURE SOCIAL ORDER.” ^[1]

  *^ Beuys statement dated

Ecological

• Eden3 the breath of a tree, Goto and Collins, 2008-ongoing